REFERENCES

Aristides, J., 2007. Classical Drawing Atelier: a Contemporary Guide to
Traditional Studio Practice. Watson-Guptill.

Boyle, R., 1664. Experiments and Considerations Touching Colours.
http://www.gutenberg.org/etext/14504

Cleland, T.M., 1921. A Practical Description of the Munsell Color System, with Suggestions for its Use. Boston, Massachusetts, USA: Munsell Color Company. http://www.applepainter.com/ (online edited version)

Evans, R., 1974. The Perception of Color. Wiley-Interscience, New York.

Fairchild, M.. D., 2004. Color Appearance Models: CIECAM and beyond.
IS&T/SID 12th Color Imaging Conference. http://www.cis.rit.edu/fairchild/PDFs/AppearanceLec.pdf

Fairchild, M. D., 2005. Color Appearance Models. 2nd Edn. Wiley IS&T.

Field, G., 1835. Chromatography; or, a Treatise on Colours and Pigments. Moyes and Barclay, London.
http://books.google.com/books?id=PDMAAAAAQAAJ. (1841 edn).

Ford, A., and Roberts, A., 1998. Colour Space Conversions. http://www.poynton.com/PDFs/coloureq.pdf

Gage, J., 1997. Colour and Culture. Practice and Meaning from Antiquity to Abstraction. Thames and Hudson.

Gage, J., 1999. Colour and Meaning. Art, Science and Symbolism. Thames and Hudson.

Hanrahan, P. and Kruger, W., 1993. Reflection from Layered Surfaces
due to Subsurface Scattering. Princeton University, Department of Computer Science,
Technical Report 409-93

Hardy, A.C., and Wurzburg, F.L., 1937. Journal of the Optical Society of America, 27, p. 231.

Hayter, C., 1813. An Introduction to Perspective, Dialogues between the Author's Children. Black, Parry and Co, London.
http://books.google.com/books?id=s-UHAAAAQAAJ (1815 edn)

Hurvich, L.M. and Jameson, D., 1957. An Opponent-process Theory of Colour Vision. Psychol. Rev., 64, 384-404.

Itten, J., 1970. The Elements of Colour. Wiley, New York..

Kirschmann, A., 1896. Color-Saturation and its Quantitative Relations. American Journal of Psychology, 7, 386-404

Kuehni, R. G., 2003. Color Space and its Divisions: Color Order from Antiquity to the Present. Wiley-Interscience, New Jersey.

Kuehni, R. G., 2005. Color : an Introduction to Practice and Principles (2nd edn). Wiley-Interscience, New Jersey.

Loomis, A., 1947. Creative Illustration. Viking Press, New York.

Loomis, A. 1951. Successful Drawing. Viking Press, New York.

Lowengard, S. 2006. The Creation of Colour in Eighteenth Century Europe. Gutenberg-e, New York.
http://www.gutenberg-e.org/lowengard/

Luke, J. T., 2001. In The New Munsell Student Color Set, 2nd Edition by Jim Long, Joy Turner Luke. Fairchild Books

Mollon, J. D. 2003. The Origins of Modern Color Science. In Shevell, S. (Ed) Color Science, Optical Society of America, Washington.

Moroney, N., Fairchild, M. D.; Hunt, R. W.G.; Li, C.; Luo, M. R.; Newman, T., 2002. The CIECAM02 Color Appearance Model. IS&T/SID Tenth Color Imaging Conference, Scottsdale, Arizona: The Society for Imaging Science and Technology. ISBN 0-89208-241-0.
http://www.polybytes.com/misc/Meet_CIECAM02.pdf

Munsell, A. H., 1905. A Color Notation. An illustrated System Defining All Colors and their Relations by Measured Scales of Hue, Value, and Chroma. Boston.
http://www.google.com/books?id=PgcCAAAAYAAJ

Munsell, A. H., 1915. The Atlas of the Munsell Color System. Boston.   

Newton, I., 1672. A Letter of Mr. Isaac Newton, Professor of the Mathematicks in the University of Cambridge; Containing His New Theory about Light and Colors: Sent by the Author to the Publisher from Cambridge, Febr. 6. 1671/72; In Order to be Communicated to the R. Society. Philosophical Transactions of the Royal Society, 6, 3075,8

Pope, A., 1922. Tone Relations in Painting. Harvard University Press, Cambridge, Massachusetts, .
http://dli.iiit.ac.in/cgi-bin/Browse/scripts/use_scripts/advnew/metainfo.cgi?&barcode=2020050081109 (1927 edn).

Pope, A., 1931. The Painter’s Modes of Expression. Harvard University Press, Cambridge, Massachusetts.

Rood, O., 1879. Students’ Text-book of Color; or Modern Chromatics, with Applications to Art and Industry. Appleton, New York, .
http://www.archive.org/details/Colour (1890 edn)

Ross, D. W., 1907. A Theory of Pure Design, Harmony, Balance, Rhythm. Houghton, Mifflin, Boston
http://www.archive.org/details/theoryofpuredesi00rossuoft